It has been a notable couple of months for albums from
Brooklyn – Yeasayer’s ‘Fragrant Hours’ and Dirty Projector’s ‘Swing Lo
Magellan’ among them – but the shining jewel among them has got to be Grizzly
Bear’s ‘Shields’. It doesn’t have the standout songs of its predecessor
‘Veckitamest’ (e.g. ‘Two Weeks’, ‘While You Wait For The Others’). However,
it’s possibly a more solid album, both in consistency and tone; personally I
was less enamoured with the more insubstantial tracks on their last album such
as ‘Dory’. ‘A Simple Answer’ and ‘Gun-Shy’ might be the closest the album has
to ‘hits’; the former, with its assertive piano chords, has probably the band’s
most infectious chorus to date (yes, even more so than ‘Two Weeks’), while the latter
drifts along dreamily with its overlapping vocals. By contrast, opener ‘Sleeping
Ute’ and ‘Yet Again’ are driven along by a strong, expansive guitar sound that
even if it doesn’t quite rock, it at least sharply lets you know it’s around. Penultimate
track ‘Half Gate’ starts off by setting up its cabin and axe next to the Fleet
Foxes, before erupting in a pounding, cavernous chorus that’s the closest the
band has come to sounding like its namesake yet. Finally, Grizzly Bear try
their hand at the epic closing track on ‘Sun In Your Eyes’, which is stretched
out further than an Arctic sunrise. With ‘Shields’, Grizzly Bear have shown
they can produce more than a very pleasant background suite, and this
substantial follow-up should put them into the indie big leagues.
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