But these bands have to be revered by the American indie cognoscenti for a reason, right? For the past month, I’ve tried to discover the albums they may have played at house parties in San Francisco, during the time I was in my 20s and stuck in the Melbourne suburbs. The albums that may have changed my life like the Shins changed the lives of Natalie Portman and Zach Braff in ‘Garden State’. So what have I missed by repeatedly playing Oasis and Coldplay? Am I a shadow of a white male?
For years I thought Guided By Voices were some
sort of Christian band, but I gradually realised that they were instead
worshipped by sensitive young beardos. Their most ‘well-known’ albums, ‘Bee
Thousand’ and ‘Alien Lanes’ are somewhat amateurish and ramshackle, with tracks
seemingly ending when someone knocks out the guitar plug, which has probably contributed
to them being so beloved. But they are good songwriters, and ‘I Am A Scientist’,
from ‘Bee Thousand’, is a nice tune, even if I have no clue what it is on
about. I don’t think I missed out on any big keg parties where was this
playing, but I might have missed out on hearing it played while hanging out in the
dorm room.
Opacity rating: 8.5/10
2. What
Do You Want Me To Say? – The Dismemberment Plan
The Pitchfork
review for the vinyl reissue of ‘Emergency & I’ claims
that ‘[e]veryone I've talked to
mentions that they can't imagine getting through their twenties without it.’
But I got through my entire twenties without it. Was my third decade only
half-lived because of this? Anyway, this is quite poppy and relatively easy to
understand – it seems to simply be about relationship problems. I imagine it’s
the type of track that would gone down pretty well at Coachella.
Opacity rating: 6.3/10
Can you have a more American indie rock name than
‘Built To Spill’? I listened through their mid-90s albums ‘There’s Nothing
Wrong With Love’ and ‘Perfect From Now On’ and I quite liked both of them – they
sound like reasonably accomplished musicians, and even though their tracks
regularly stretch to six or seven minutes, they never really sound
self-indulgent. ‘Car’ was not a track I heard when it was first released in
1994, but it sounds unmistakably from that era. ‘You get the car/I’ll get the
night off/You’ll get the chance to take the world apart and figure out how it
works’ makes me think of a bunch of ‘90s road movies (most of which I’ve never
seen).
Opacity rating: 6.7/10
Pavement sound like they are actually trying on
this track, and while I certainly like listening to their ‘slacker’ aesthetic
on some of their other tunes (‘Summer Babe (Winter Version)’ for example), this
track really soars because of it. I’m curious why IKEA is in the title – the lyrics
don’t seem to relate to the store, but who knows? Maybe it’s the name of a
Swedish backpacker Stephen Malkmus met?
Opacity rating: 8.9/10
Surely I’ve listened to ‘Reckoning’ before,
right? Well, not really … certainly ‘Murmur’ got a lot of spins when I was at
Uni, but I never progressed to REM’s second album, concentrating instead on
their Warner Bros. records. Early REM songs are famous for their obscurity, but
this one confused me even more after I tried to do some research about it. Michael
Stipe sings about ‘Seven Chinese brothers swallowing the ocean’, however the
children’s book about Chinese brothers that this seems to be based on had five
brothers and only one of them could swallow the ocean. And that book was itself
based on a folk tale with ten brothers and it doesn’t look like any of them had
sea-swallowing powers. Presumably dozens of REM scholars have speculated about
the change in number of brothers, if indeed it is a change. By the way, love
the guitar on this one.
Opacity
rating: 10/10